Above:  Apotheosis of War, by Vasily Vereshchagin

Image in the Public Domain

+++++++++++++++++++++++++++++++++++++++++++++++++++++++

This is a hymn for use in time of war.  Sadly, we human beings keep acting is ways which keep the sentiments of the hymn current.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++

This is one of those great Anglican contributions to English-language hymnody.

++++++++++++++++++++++++++++++

PART THE FIRST:  THE BEGINNING

The story begins with Henry Fothergill Chorley (1808-1872), a Quaker-born novelist, playwright, libretticist, and literary and music critic in London, England, the United Kingdom.  In 1842 he published a hymn, “God, the All-Terrible! Thou Who Ordainest.”  My sources identified the the publication as having occurred in Part Music (1842), by John Pike Hullah (1812-1884).  A search at hymnary.org led me to my reprint of the Plymouth Collection of Hymns and Tunes (Henry Ward Beecher, Plymouth Congregational Church, Brooklyn, New York, 1855), where I found these verses:

1.  God, the all-terrible! Thou who ordainest

Thunder Thy clarion, and lightning Thy sword;

Show forth Thy pity on high where Thou reignest,

Give to us peace in our time, O Lord.

2.  God, the Omnipotent! mighty Avenger,

Watching invisible, judging unheard;

Save us in mercy, O save us from danger,

Give to us peace in our time, O Lord.

3.  God, the all-merciful! earth hath forsaken

Thy ways all holy, and slighted Thy word;

But not Thy wrath in its terror awaken,

Give to us pardon and peace, O Lord.

4.  So will Thy people with thankful devotion,

Praise Him who saved them from peril and sword;

Shouting in chorus, from ocean to ocean,

Peace to the nations, and praise to the Lord.

(Hymn #1101)

++++++++++++++++++++++++++++++

PART THE SECOND:  UNITARIANS DURING THE CIVIL WAR

Hymns of the Spirit (American Unitarian Association, 1864), included an abbreviated and different version of the text, starting with the second stanza.  Thus the hymn became “God, the Omnipotent! Mighty Avenger!”  The context of the U.S. Civil War was evident:

1.  God the Omnipotent! mighty Avenger!

Watching invisible, judging unheard!

Save Thou our land in the hour of her danger,

Give to us peace in Thy time, O Lord!

2.  Thunder and lightnings Thy judgment have sounded;

Letters of flame have recorded Thy word,

‘Only in righteousness true peace is founded’:

Give us that peace in Thy time, O Lord!

3.  So shall the people, with thankful devotion,

Praise Him who saved them from peril and sword;

Shouting in chorus, from ocean to ocean,–

‘Peace to the nation, and praise to the Lord!’

(Hymn #262)

++++++++++++++++++++++++++++++

PART THE THIRD:  ENTER JOHN ELLERTON

In 1870, during the Franco-Prussian War (1870-1871), John Ellerton (1826-1893), a priest of The Church of England and author of no fewer than 86 hymns, wrote “God the Almighty One, Wisely Ordaining,” based on Chorley’s hymn.  The text debuted in Robert Brown-Borthwick’s Select Hymns for Church and Home (The Church of England, 1871).  I found the original version of that hymn via Google Books.

1.  God the Almighty One, wisely ordaining

Judgments unsearchable, famine and sword;

Over the tumult of war Thou are reigning;

Give to us peace in our time, O Lord!

2.  God the All-righteous One! man hath defied Thee;

Yet to eternity standeth Thy word;

Falsehood and wrong shall not tarry beside Thee;

Give to us peace in our time, O Lord!

3.  God the All-pitiful, is it not crying,

Blood of the guiltless like water outpoured?

Look on the anguish, the sorrow, the sighing;

Give to us peace in our time, O Lord!

4.  God, the All-wise! by the fire of Thy chastening

Earth shall to freedom and truth be restored;

Through the thick darkness Thy kingdom is hast’ning,

Thou wilt give peace in Thy time, O Lord!

++++++++++++++++++++++++++++++

PART THE FOURTH:  THE JOINING AND SUBSEQUENT VARIATIONS AND ALTERATIONS

The first joining of the Chorley and Ellerton texts occurred in the 1874 revision of Church Hymns (The Church of England, 1871), as one can read for oneself by following the hyperlink and seeking hymn #262.  Since then many hymnals have contained various composites of the Chorley and Ellerton texts, frequently with alterations to them.  The Lutheran Hymnal (1941) contained the hymn, but listed it as “God, Lord of Sabaoth, Thou Who Ordainest.”  The hymn was “God the All-Merciful! Earth Hath Forsaken” in the Common Service Book of the Lutheran Church (1917) but “God the Omnipotent! King, Who Ordainest” in the Service Book and Hymnal (1958).  The influential Hymnal (Presbyterian Church in the U.S.A., 1895) and its successor from 1911 listed the hymn as “God, the All-Terrible,” but The Hymnal (1933) changed the title to “God the Omnipotent.”  Among more conservative Presbyterians (especially in the Orthodox Presbyterian Church and the Presbyterian Church in America) who use either the 1961 or the 1990 versions of the Trinity Hymnal, God remains “All-terrible.”  God was “All-terrible” in The Methodist Hymnal (Methodist Episcopal Church and Methodist Episcopal Church, South, 1905), but “Omnipotent” in The Methodist Hymnal of 1935 (Methodist Episcopal Church, Methodist Protestant Church, and Methodist Episcopal Church, South; later The Methodist Church, 1939-1968).  As late as The Hymnal of 1918 (Episcopal Church, authorized in 1916) God was “All-Terrible,” but the deity was “Omnipotent” instead in The Hymnal 1940 (published in 1943).  The consensus among hymnal committees is that God is “Omnipotent,” not “All-terrible.”

The variation on the hymn in The Hymnal 1982 (Episcopal Church, 1985) contains four stanzas–two from Chorley, two from Ellerton, and all of them altered.  This is the version I sing in church:

1.  God the Omnipotent! King, who ordainest

thunder thy clarion, the lightning thy sword;

show forth thy pity on high where thou reignest:

give to us peace in our time, O Lord.

2.  God the All-merciful! earth hath forsaken

thy ways all holy, and slighted thy word;

bid not thy wrath in its terrors awaken:

give to us peace in our time, O Lord.

3.  God, the All-righteous One! earth hath defied thee;

yet eternity standeth thy word,

falsehood and wrong shall not tarry beside thee:

give to us peace in our time, O Lord.

4.  God the All-provident! earth by thy chastening

yet shall to freedom and truth be restored;

through the thick darkness thy kingdom is hastening:

thou wilt give peace in thy time, O Lord.

Hymn writer Brian Wren (1936-) wrote of hymns in Praying Twice:  The Music and Words of Congregational Song (Louisville, KY:  Westminster John Knox Press, 2000, page 297):

I have shown that congregational songs are communal.  Though they usually originate from particular authors, their primary purpose is to give shared expression to shared experience, not parade the author’s personality.  Because they are communal a faith community may, in principle amend them.

The story of “God the Omnipotent!” fits that statement well.

++++++++++++++++++++++++++++++

PART THE FIFTH:  DROPPING THE HYMN

Denominations revise their official hymnals from time to time.  In so doing they add some texts and remove others.  Here is a partial list of denominations which have removed “God the Omnipotent!” (however they have listed it) from their official hymnody as of 2015, based on hymnals of which I own physical copies:

1. the American Baptist Churches U.S.A., during their transition from the Hymnbook for Christian Worship (1970) to no official hymnal;
2. the Anglican Church of Canada, during the transition from The Hymn Book of the Anglican Church of Canada and the United Church of Canada (1971) to Common Praise (1998);
3. the Evangelical Covenant Church of America, during the transition from The Covenant Hymnal (1973) to The Covenant Hymnal:  A Worshipbook (1996);
4. the Evangelical Lutheran Church in America, during the transition from the Lutheran Book of Worship (1978) to Evangelical Lutheran Worship (2006);
5. The Evangelical Lutheran Synod, during the transition from The Lutheran Hymnal (1941) to the Evangelical Lutheran Hymnary (1996);
6. the Free Methodist Church of North America and the Wesleyan Church, during their transition from Hymns of Faith and Life (1976) to no official hymnal;
7. The Lutheran Church–Missouri Synod, during its transition from The Lutheran Hymnal (1941) to Lutheran Worship (1982) and the Lutheran Service Book (2006);
8. the Presbyterian Church (U.S.A.), by way of its predecessors, the Presbyterian Church in the United States and The United Presbyterian Church in the U.S.A., during the transition from The Hymnbook (1955) to The Worshipbook–Services and Hymns (1972);
9. the Reformed Church in America, during its transition from Rejoice in the Lord:  A Hymn Companion to the Scriptures (1985) to Lift Up Your Hearts:  Psalms, Hymns, and Spiritual Songs (2013);
10. the Southern Baptist Convention, during the transition from Baptist Hymnal (1956) to Baptist Hymnal (1975); the text is absent even from the Cooperative Baptist Fellowship‘s Celebrating Grace Hymnal (2010);
11. the Unitarian Universalist Association, sometime after Hymns of the Spirit (American Unitarian Association, 1864) and before Hymns of the Spirit (American Unitarian Association and Universalist Church of America, 1937);
12. The United Methodist Church, during its transition from The Hymnal of the Evangelical United Brethren Church (1957) and The Methodist Hymnal/The Book of Hymns (1966) to The United Methodist Hymnal:  Book of United Methodist Worship (1992); and
13. the Wisconsin Evangelical Lutheran Synod, during the transition from The Lutheran Hymnal (1941) to Christian Worship:  A Lutheran Hymnal (1993); neither is the hymn present in Christian Worship:  Supplement (2008).

That list covers a wide theological range.  So does the list of denominations which have retained it–from The Episcopal Church to the Christian Church (Disciples of Christ) to the United Church of Christ to the Orthodox Presbyterian Church and the Presbyterian Church in America.  The list of denominations which have never added it to their official hymnody is also diverse, ranging from the Christian Reformed Church of North America to the Church of Nazarene.  Sometimes the presence or absence of the hymn indicates more about tastes in hymnody and worship style than about theology.

Another piece of supporting evidence for that conclusion comes from two non-denominational Evangelical hymnals Tom Fettke edited:  The Hymnal for Worship & Celebration (1986) and The Celebration Hymnal:  Songs and Hymns for Worship (1997).  The former contains the hymn which is the subject of this post, but the latter does not.  A Victorian hymn set to the majestic former Russian national anthem does not fit with contemporary worship, with its seven-eleven songs, does it?

KENNETH RANDOLPH TAYLOR

JULY 21, 2015 COMMON ERA

THE FEAST OF J. B. PHILLIPS, BIBLE TRANSLATOR AND ANGLICAN PRIEST

+++++++++++++++++++++++++++++++++++++++++++++++++++++

Above:  The Hymn, from The Pilgrim Hymnal (1904)

A Scan I Made from My Copy of That Volume

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Sometimes a little historical research goes a long way.

I noticed this hymn this morning, for we were singing “A Mighty Fortress” in church.  Opposite that hymn in The Hymnal 1982 is this one.  This reality led me to the listed source, The Pilgrim Hymnal (1904), the first U.S. hymn book to include the text.  The hymn debuted on page 142 of Holy Songs, Carols, and Sacred Ballads (1880), the hymn’s author listed as Anonymous.  Yet the range of estimated dates of composition includes

• 1878 (as in The Methodist Hymnal/The Book of Hymns, 1966, The Methodist Church–later The United Methodist Church– as well as the Psalter Hymnal, 1987, Christian Reformed Church),
• 1880 (as in Hymns of Faith and Life, 1976, the Wesleyan Church and the Free Methodist Church),
• 1887 (as in the Psalter Hymnal, 1934, Christian Reformed Church), and
• 1890 (The United Methodist Hymnal, 1989, The United Methodist Church.)

One reason for post-1880 estimates is the erroneous date of 1889 for the publication of Holy Songs.

Who was Anonymous?  Although Frank Sealy, editor of Common Praise (1913), listed the author as Anonymous in that hymnal, the handbooks to The Hymnal (1933, Presbyterian Church in the U.S.A.) and the Pilgrim Hymnal (1958, United Church of Christ) suggest that the author was poet Jean Ingelow (1820-1897).  In fact, the former says that Sealy suggested that Ingelow was the author of the text.  We do not know for certain who wrote the hymn, however.  And does that person’s identity really matter?  For the text stands on its own merit.

KENNETH RANDOLPH TAYLOR

MARCH 9, 2014 COMMON ERA

THE FIRST SUNDAY IN LENT, YEAR A

THE FEAST OF SAINT SOPHRONIUS OF JERUSALEM, ROMAN CATHOLIC PATRIARCH

THE FEAST OF SAINT GREGORY OF NYSSA, ROMAN CATHOLIC BISHOP

THE FEAST OF MARY ANN THOMPSON, EPISCOPAL HYMN WRITER

THE FEAST OF ROBERT HALL BAYNES, ANGLICAN BISHOP OF MADAGASCAR

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

1.  I sought the Lord, and afterward I knew

He moved my soul to seek him, seeking  me;

It was not I that found, O Saviour true,

No, I was found of thee.

2.  Thou didst reach forth thy hand and mine enfold;

I walked and sank not on the storm-vexed sea,–

‘Twas not so much that I on thee took hold,

As thou, dear Lord, on me.

3.  I find, I walk, I love, but, O, the whole

Of love is but my answer, Lord, to thee;

For thou wert long beforehand with my soul,

Always thou lovedst me.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++